AJA Ki Pro Ultra 12G - 4K DCI/UHD/HD Multichannel Recorder

AJA Ki Pro Ultra 12G - 4K DCI/UHD/HD Multichannel Recorder

AJA-KI-PRO-ULT-12G

The AJA Ki Pro Ultra 12G is a multi-channel Apple ProRes recorder, offering up to 4 channels of simultaneous HD recording, or in single channel mode, a 4K/UltraHD/2K/HD recorder and player in Apple ProRes or Avid DNxHR. It supports Avid DNxHD MXF, in HD formats and in single channel mode.

The Ki Pro Ultra 12G offers the simplicity of single 12G-SDI cable for resolutions up to 4K, (the 4x 3G-SDI inputs/outputs can be used for Quad Link operations) and HDMI 2.0 digital video connectivity with HDR support for both recording and playback.  

The various analog and digital audio connectivity responds to any demand in projects with efficient and flexible workflows. For remote and remote needs, 12G and 3G SFP+ fiber options are available. New v2.0 firmware adds the ability to record genlock-free sources, with support for frame synchronizers on the inputs.
  

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€5,078.00 Tax excluded
6.144,38 € Con IVA
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AJA Video Systems - Avacab official AJA dealer - All AJA products at Avacab

 

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Portable media player and recorder with built-in 4.8" LCD screen Supports single 4K stream recording, either DCI or UHD 4K, as well as multiple HD streams in ProRes. Avid DNxHR and DNxHD recording supports single channel in 4K or HD
. Features one 12G-SDI input and output, as well as three 3G-SDI inputs and outputs. In addition to a dedicated SDI monitor output, with overlays available in the menu system, and a rotary menu selection knob with push-button VTR controls.


It allows control of the equipment through a computer and an Internet browser using the ethernet connection and also has a DB-9 connector for RS-422 control. It has 2 slots for the insertion of AJA disks that will jump from one to the other when the unit is full. Redundant XLR power inputs allow for a power supply failure with a second one as a backup, so that not a single frame of the recording is lost.


The Ki Pro Ultra 12G can record on DCI 4K/UHD 4K/2K/HD at six different ProRes quality levels, including 4444 XQ. This allows you to record your footage on the same codec accessible by many NLE systems, avoiding the need for transcoding before editing. Avid's DNxHD and DNxHR codecs are also supported, and you can record directly, allowing you to take your captured footage directly to an Avid editing system. A single 4K channel can be recorded using the DNxHR codec, DNxHD is also limited to single channel recording.


It has a single 12G-SDI input and output, as well as three 3G-SDI inputs and outputs. It also has HDMI 2.0 type A input and output connectors, as well as a dedicated SDI monitor output. Integrated SFP cages allow you to get optional SFP connectors, which enable the Ki Pro Ultra 12G to work with SDI over fiber.
It provides support for its DCI 4K/UHD 4K/HD HDR ducts to HDMI- and SDI-compliant displays by generating HDR metadata according to HDMI v2.0a/CTA-861.3 and SMPTE 352, which includes HDR 10 (PQ) and HLG for both input and output.


It supports the Quad Split square format and two-sample Interleave, offering a wide range of options for DCI and UltraHD 4K recording and playback. It offers two slots for the AJA Pak media that allows almost endless recording, as it will automatically switch to a new pack when the first one is full. It is compatible with the Pak 2000, Pak 1000, Pak 512 and Pak 256, and can be formatted in HFS+ or exFAT. Subtitles are supported following CEA-608 or CEA-708 protocols.


The unit has redundant 4-pin XLR power inputs that support a 12 to 18 VDC input from a battery or other power source. An included AC/DC power supply allows you to operate the unit from mains power from virtually anywhere in the world, and includes Ki Protect, a feature that helps ensure data integrity if a media unit is accidentally removed or loses power during recording.

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Data sheet

Video Inputs
Fibra óptica
HDMI
SDI
Outputs
HDMI
Optical Fiber
SDI
Max. Video Resolution
625i / 525i - SD
1280x720 - HD
1920x1080 - HD
2048x1080 - 2K
3840x2160 - UHD
4096x2160 - 4K DCI
Entradas Audio
AES/EBU
Embebido
Salidas Audio
AES/EBU
Balanceado
No Balanceado
Grabador
Si
Recording Media
Discos SSD
Codec / Ficheros
DNx
ProRes
Comunes
Enracable
Reference input

Download

Manuales

Manual de Usuario AJA Ki Pro Ultra 12G

Download (8.49MB)

Ficha Técnica

Ficha Técnica AJA Ki Pro Ultra 12G

Download (1.26MB)

AJA Video Systems - Avacab official AJA dealer - All AJA products at Avacab

 

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Video Formats

  • Single Channel Mode:
    • (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
    • (4K) 4096 x 2160PsF 23.98, 24, 25, 29.97* 
    • (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
    • (UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97*
    • (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
    • (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
    • (HD) 1080i 25, 29.97, 30
    • (HD) 1080PsF 23.98, 24, 25**, 29.97**
    • (HD) 720p 50, 59.94, 60

  • Multi-Channel Mode:
    • (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
    • (HD) 1080i 25, 29.97, 30
    • (HD) 1080PsF 23.98, 24, 25**, 29.97**
    • (HD) 720p 50, 59.94, 60
       

*Only 4x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division
**25 and 29.97 requires Record Type>PsF selection

Codec Support

  • Single Channel Mode:
    • Apple ProRes 4444 XQ, up to 2K/60 fps
    • Apple ProRes 4444, up to 30 fps
    • Apple ProRes 422 (HQ)
    • Apple ProRes 422
    • Apple ProRes 422 (LT)
    • Apple ProRes 422 (Proxy)
    • Avid DNxHD HQX (220x)*
    • Avid DNxHD SQ (145)*
    • Avid DNxHD LB (36)**
    • Avid DNxHR HQX up to 4K/30 fps
    • Avid DNxHR SQ up to 4K/30 fps
    • Avid DNxHR LB up to 4K/30 fps

  • Multi-Channel Mode:
    • Apple ProRes 4444, up to 30 fps
    • Apple ProRes 422 (HQ)
    • Apple ProRes 422
    • Apple ProRes 422 (LT)
    • Apple ProRes 422 (Proxy)
       

*Avid DNxHD only supported for 1080 and 720 resolutions
**Avid DNxHD 36 only supported for 1080p

Codec Container

  • Apple ProRes .MOV
  • AVID DNX .MXF or .MOV

Removable Storage

  • 2x slots, AJA SSD media Pak 2000, Pak 1000, Pak 512, Pak 256

File System Support

  • HFS+, exFAT

Video Input Digital

  • 1x 12G-SDI, SMPTE-292/372/424/2081/2082
  • 3x 3G-SDI, SMPTE-292/372/424
  • 1x Fiber or HD-BNC 12G-SDI, SMPTE-297 (optional SFP modules)
  • 3x Fiber or HD-BNC, 3G-SDI, SMPTE-297 (optional SFP modules)
  • 4K/UltraHD 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
  • Dual Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
  • Single Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
  • 1x HDMI standard type A connector
  • HDMI v2.0 
    • 4:4:4 RGB 8/10/12-bit (deep color) 
    • 4:2:2 YCbCr 8/10/12-bit 
    • 4:2:0 YCbCr 8-bit

Video Output Digital

  • 1x 12G-SDI, SMPTE-292/372/424/2081/2082
  • 3x 3G-SDI, SMPTE-292/372/424
  • 1x Fiber or HD-BNC 12G-SDI, SMPTE-297 (optional SFP modules)
  • 3x Fiber or HD-BNC, 3G-SDI, SMPTE-297 (optional SFP modules)
  • 4K/UltraHD 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
  • Dual Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
  • Single Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
  • 1x HDMI standard type A connector
  • HDMI v2.0 
    • 4:4:4 RGB 8/10/12-bit (deep color) 
    • 4:2:2 YCbCr 8/10/12-bit 
    • 4:2:0 YCbCr 8-bit 

Audio Input Digital

  • 16-channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
  • 8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
  • 8-channel, AES/EBU via (1x DB-25 TASCAM pinout)

Audio Input Analog

  • 8-channel, mappable, 24-bit A/D analog audio, 48 kHz sample rate (1x DB-25 TASCAM Pinout)
  • +24 dBu full scale digital
  • +/- 0.2 dB 20 Hz to 20 kHz frequency response

Audio Output Digital

  • 16-channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
  • 8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
  • 8-channel, AES/EBU via (1x DB-25 TASCAM pinout)

Audio Output Analog

  • Stereo unbalanced headphone jack (1x 3.5mm jack) with volume control
  • 8-channel, 24-bit D/A analog audio, 48 kHz sample rate (1x DB-25 TASCAM pinout)
  • 2-channel unbalanced 2x RCA connectors

Recording Mode

  • Multi-channel HD Apple ProRes recording (Pak 2000, Pak 1000, Pak 512 (R1 and above), Pak 256 (R1 and above))
  • Single channel 4K/UltraHD/2K/HD recording

Playback Mode

  • One channel of 4K/UltraHD/2K/HD at a time

Timecode

  • SDI RP188/SMPTE 12M via SDI BNC
  • LTC input (1x BNC)
  • LTC output (1x BNC)
  • TC Super Out

Reference Input

  • External, 2x BNC
  • Looping, nonterminating
  • Blackburst or tri-level sync
    • 720p 59.94
    • 720p 50
    • 1080i 59.94
    • 1080i 50
    • 1080p 23.98
    • 1080PsF 23.98
    • 1080p 24
    • 1080PsF 24
    • 1080p 25
    • 1080PsF 25
    • 1080p 29.97
    • 1080PsF 29.97
  • (SD) Analog composite
    • 525i 59.94
    • 625i 50

Network Interface

  • 1x LAN connector (RJ-45 connector, 10/100/1000)
  • Embedded web server for remote control
  • Configuration and Transport Control via Web Interface
  • Video Confidence Monitor via Web Interface
  • Clip upload/download via Web Interface in DATA-LAN mode
  • Remote control via REST

Machine Control

  • RS-422, 1x DB-9 female connector, Sony 9-pin protocol
  • 9-pin D-connector pinout is as follows:
    • 1 - GND
    • 2 - TX-
    • 3 - RX+
    • 4 - GND
    • 5 - No Connection 
    • 6 - GND
    • 7 - TX+
    • 8 - RX-
    • 9 - GND
    • Shell    - GND

User Interface

  • Rotary selector knob
  • Dedicated, backlit transport controls and menu buttons
  • Large 1280x720 TFT LCD display with Video Monitor and Menu/Status Overlays

Closed Captioning Support

  • CEA-708, CEA-608

Size (w x d x h)

  • 8.64" x 9.34" x 3.31" (219.46 x 237.24 x 84.08 mm)

Weight

  • 5.6 lbs (2.6 kg)

Power

  • Dual, redundant, 5.4A max, 35W-60W typical-65W Max
    • 100-240 VAC 50/60 Hz (adapter)
    • 12-18Vdc 4-pin XLR (chassis)

Environment

  • Safe Operating Temperature: 0 to 40 C (32 to 104 F)
  • Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)
  • Operating Relative Humidity: 10-90% noncondensing
  • Operating Altitude: <3,000 meters (<10,000 feet)

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